Skip to main content

Forough Farrokhzad


Wikipedia spells her name Forugh Farrokhzad, pronounced FOR-ugh Far-ROHK-zad.

My paperback of Let Us Relive In The Beginning Of The Cold Season compares her to Shakespeare in a quote by Medhi Jami.

I hate to say this but I think Farrokhzad gives liberals a template on how to survive four years, to just enjoy your life. Dealing with female desire in Iran. She was sexual. This is a problem in present day Iran. She uses the confessional tone and moves towards the universal. 

Her quick biography is that she was married young, had a son and then divorced. Her husband won custody of her son, and she was depressed and got shock therapy. Triumph of the spirit, she fights on and continues, writing poetry books, directing a documentary, living her life. She tragically dies in a car accident at age 32. 

NYT: "After the overthrow of Iran’s secular monarchy in 1979, the Islamic Republic banned her poetry for almost a decade. But that censorship only elevated her appeal to new generations of Iranians, who saw Farrokhzad as a symbol of artistic, personal and sexual freedom."


Links:

NY Times profile: Iran’s leading literary journal, Sokhan, wrote after her funeral, “Forough is perhaps the first female writer in Persian literature to express the emotions and romantic feelings of the feminine gender in her verse with distinctive frankness and elegance, for which reason she has inaugurated a new chapter in Persian poetry.”

Website of her poems and more.

Controlled Burn by Rhian Sasseen.

Hillmann, M. (2022). Furūgh Farrukhzād. In Women Poets Iranica. Encyclopaedia Iranica Foundation https://poets.iranicaonline.org/article/furugh-farrukhzad/

39 minutes audio BBC: Forugh Farrokhzad: A trailblazing voice for women in Iran.

Feminize your cannon: Forough Farrokhzad by Joanna Scutts in The Paris Review.

Book review in WSWS.

Book review in New York Review.

Book review in World Literature Today.

Sholeh Wolpé reads "I Pity the Garden" by Forugh Farrokhzad (YouTube).

Comments

Popular posts from this blog

Manet and Degas

  Brilliant video explaining the exhibit. Go to the Met and see the exhibit! It's really quite special.  In the last gallery the painting this sketch is based off of, of the execution of a Mexican president. The painting has been cut into sections, and the surviving Degas has reassembled them. NY Times review

movie versus book

I'm watching the movie a second time, and I'm halfway through the book. Among the movie's differences from the book. Sortilege starts off narrating. The movie doesn't have the school bell for the phone either, just a regular ring. It's really weird the way Doc shouts when he sees the photo of Amethyst as a baby. I guess it's to dramatize the negative impact of being pregnant and using, but the child we see looks pretty healthy. The child doesn't huff out because they're boring like she did in the book.  Superficially The Big Lebowski and Inherent Vice are similar but it's a completely different style of narrative. The Coen brothers are amazing, they have a very witty movie that I have loved for a long time. Pynchon is a whole other realm of fiction, and this conversion is fairly faithful, taking out the best lines and making it more compact. The audio book is 15 hours, the movie is 2 hours. Anyway, I like the different movies for different reasons. T...

Introduction

Robert B. Palmer's introduction to his translation of Walter F. Otto's Dionysus: Myth and Cult (p. ix-xi) Gods of Hellas, gods of Hellas, Can ye listen in your silence? Can your mystic voices tell us Where ye hide? In floating islands,  With a wind that evermore Keeps you out of sight of shore?                                     Pan, Pan is dead. ELIZABETH BARRETT BROWNING The Dead Pan W H E N Elizabeth Barrett Browning wrote these lines which sound so pessimistic and so limited to any lover of the beauty and truth of Greek mythology, she had in mind a famous passage out of Plutarch's De Oraculorum defectu {Mor. 419 A-E) in which it was reported on good authority that Pan had died. But let Plutarch tell the story (Philip is speaking):  As for death among such beings [i.e., deities], I have heard the words of a man who was not a fool nor an impostor. The father of...